So, this one time, C.S. Lewis stayed at a haunted house.
But that’s not the part he chooses to emphasize. I would love to read a short mystery novel about Lewis at this haunted inn on a windswept hill in Ireland. But it doesn’t exist yet.
Anyway, the spooks and ghouls didn’t have nearly the effect on the locals as “the good people.” In addition to being allegedly haunted, this building was said to have faeries. And that was why the townsfolk steered clear of it. Now, having said that, I know that someone just rolled their eyes and maybe even just clicked away to a Neil DeGrasse Tyson video to remind themselves that we’ve conquered all mysteries.
But Jack had a medieval mind. Don’t forget, his day job was to teach medieval and Renaissance literature. And he took seriously what they took seriously. But to overcome the modern stereotype of Tinkerbell, he preferred to call them the Longaevi (“the long lived”). And in The Discarded Image, he takes great pleasure in subdividing them into different types with references from Milton and Spenser as his footnotes.
But my point is not to argue whether or not C.S. Lewis believed that faeries were real. His mind was thoroughly pre-modern and so was his imagination. And when he sought to explain the Longaevi (nymphs, fauns, satyrs, dryads, etc.), he sensed the tension they introduce in the medieval system. You had the seven heavens and the earth and the fullness thereof. But then we see this third category that defies tidy organization.
“They are marginal, fugitive creatures. They are perhaps the only creatures to whom the Model does not assign, as it were, official status. Herein lies their imaginative value. They soften the classic severity of the huge design. They intrude a welcome hint of wildness and uncertainty into a universe that is in danger of being a little too self-explanatory, too luminous” (Discarded Image, p.122).
A welcome hint of wildness and uncertainty. The philosopher Charles Taylor gets credit for introducing the term “disenchantment” to describe the secularization of the West. Jamie Smith, in his very helpful guide to reading Taylor’s The Secular Age, explains that the location of meaning has been moved from the world to the mind. Things aren’t soaked through with significance. Our minds, and their ability to perceive meaning internally, are drenched with importance.
The cosmos becomes the universe. Creation becomes nature. The curse of the lightbulb means that all the shadows and uncertainties have been banished from the haunted house. Things are, in Lewis’ words, “a little too self-explanatory, too luminous.” Charles Taylor calls it “the rage of order.” And faeries, sea monsters, ghosts, and goblins are that splinter of wildness wedged in the gears of a well-oiled and easily observed machine.
That’s my point in bringing all of this up. A hint of wildness and uncertainty can be a corrective to the secular mindset, the one that sees the world for what it appears to be. There’s that great scene in The Voyage of the Dawn Treader in which the children and Caspian are talking with a fallen star named Ramandu and the ever practical Eustace doesn’t quite have a category for what he’s seeing (despite meeting one already). He tried to correct the retired star on his own existence.
“‘In our world,’ said Eustace. ‘A star is a huge ball of flaming gas.’ ‘Even in your world, my son, that is not what a star is but only what it is made of.’”
I remember reading that as a kid and shivering with delight. A welcome hint of wildness. Do you see? That’s why I like watching scary movies. That’s why I enjoy fantasy novels and science fiction. That’s why I’ll binge certain shows that offer up an intrusion of uncertainty into a world with too many lightbulbs and not enough shadowy corners.
We can’t put everything under the microscope, least of all God Almighty. The medievals understood that at first blush. Jack did as well. So, yes, maybe those stars really are what science tells us they are. That’s fine. But I’m holding out hope that I’ll meet Rigel enjoying his retirement on the new earth someday.
Wouldn’t that be wild?